Kitzbühel, Austria — Hahnenkamm Streif | Art Deco Ski Poster Print

Regular price $119.95

Kitzbühel — Hahnenkamm • Streif · Tirol · Österreich

Vintage-Style Art Deco Ski Poster

LongSkisTruck™ Museum Collection


Context

This poster is part of the LongSkisTruck Museum Collection—a curated series of original, vintage-style ski posters created for skiers, collectors, and alpine historians. Unlike decorative ski prints, each poster in this collection is built on primary historical research, period-correct design language, and museum-grade reproduction standards. This original artwork for Kitzbühel, Austria, fills a critical gap in the collection, introducing the raw, untamed spirit of Tyrolean ski racing to a series dominated by the grand hotels of Switzerland and the fashionable resorts of France and Italy.

This is not a reproduction of an existing poster, but an original work inspired by the visual culture of 1930s Austrian winter tourism and the raw expressionism of Tyrolean painter Alfons Walde. Research, writing, and curation are credited to MJ Eckley under the LongSkisTruck archive standard.


TL;DR — For Collectors

  • What This Is: Original Art Deco–inspired Kitzbühel ski racing poster, focusing on the Hahnenkamm Streif course.
  • Era / Feel: Austrian alpine modernism (1930s), blending Art Deco structure with Tyrolean expressionist grit.
  • Why It Works: Captures the terrifying verticality of the Streif’s “Mausefalle” section, a subject rarely depicted with such accuracy in vintage posters. It’s a tribute to the birth of modern downhill racing.
  • Best For: Ski historians, racing enthusiasts, and collectors who appreciate the intersection of art, geography, and raw athletic courage.
  • Finish Notes: Museum-quality giclée on archival matte; designed for framing.

Specifications

  • Format / Size: Fine art poster print (museum-style wall art; designed for framing). Available in 18×24" and 24×36" sizes (higher priced for larger formats).
  • Print / Paper: Museum-quality giclée print using archival pigment inks on archival matte paper (189 gsm). Acid-free, lignin-free, and rated for 100+ years of display life under proper conditions.
  • Source / Restoration: Original LongSkisTruck design (not a reproduction), built from period-correct design language and historical research.
  • Sustainability Notes: Printed on demand to reduce waste and avoid overstock storage damage; each print produced individually for consistency. Paper sourced from sustainably managed forests.
  • Shipping / Handling: Ships free within the US in a protective rigid mailer to prevent bending/creasing. Typically ships within 3–5 business days.

History

1) ORIGINS — A TOWN FORGED IN COPPER

Long before the first ski tracks marked its slopes, Kitzbühel was a town built on the wealth of the earth. Its story begins not with snow, but with copper. The first known settlers were Illyrian miners who arrived between 1100 and 800 BC, drawn to the rich veins of ore in the surrounding hills. This legacy of mining forged a resilient, self-sufficient community that would define Kitzbühel for centuries. The town's very name, first recorded in the 12th century as "Chizbuhel," speaks to its roots: "Chizzo" for a Bavarian clan and "Bühel" for its position on a strategic hill.

Granted a town charter in 1271 by Duke Ludwig II of Bavaria, Kitzbühel flourished as a fortified market town, its prosperity fueled by the steady extraction of silver and copper. Unlike many alpine villages that remained isolated and pastoral, Kitzbühel was a hub of commerce and industry. It was permanently incorporated into Tyrol in 1504 under Emperor Maximilian, yet it maintained a special legal status that preserved its unique character. This history of autonomy and industrial grit, rather than aristocratic leisure, endowed Kitzbühel with a pragmatic, hardy spirit—a spirit that would later find its ultimate expression on the unforgiving slopes of the Hahnenkamm.

2) THE FIRST DESCENT — FRANZ REISCH AND THE BIRTH OF A LEGEND

For centuries, the mountains around Kitzbühel were for mining and summer pasture, not for sport. Winter was a time of isolation. That changed on March 15, 1893, when a local man named Franz Reisch did the unthinkable. With two wooden planks imported from Norway strapped to his feet, he climbed the 1,996-meter Kitzbüheler Horn and successfully skied back down to the valley. It was the first recorded high-alpine ski descent in Austria, an act of audacity that triggered a metaphorical avalanche. Locals, initially skeptical, soon embraced the new sport, and Kitzbühel, once a summer-only retreat, began its transformation into a winter sports mecca.

Reisch became a tireless evangelist for skiing. He hosted the town's first ski race in 1894 and, in 1902, founded the Kitzbühel Winter Sports Association, which would evolve into the legendary Kitzbühel Ski Club (K.S.C.). He understood that skiing was more than a pastime; it was the town's future. His pioneering vision laid the groundwork for everything that followed, turning the town's challenging geography from a liability into its greatest asset.

3) THE STREIF — BIRTHPLACE OF THE MODERN DOWNHILL

The Hahnenkamm Races began in 1931 as a local alpine competition that quickly gained international attention. But the race as we know it today was born in 1937, the first year it was held on the terrifying course known as the Streif. Austrian Thaddäus Schwabl won that inaugural event, conquering the mountain in a time of 3:53.1 minutes and setting a new standard for alpine racing.

From its inception, the Streif was different. It was not a manicured piste but a raw, natural track that followed the fall line down the mountain's most challenging terrain. It demanded not just technical skill but raw courage. The course became a legend, a two-mile-long test of nerve with an 860-meter vertical drop. Its most infamous section, the Mausefalle (Mousetrap), is a compression with an 85% gradient (40.4 degrees) that launches racers into an 80-meter jump at over 100 km/h. The section was named around 1955 by the father of Kitzbühel's own Toni Sailer, who compared the blind drop to a trap from which there was no escape.

4) THE KITZBÜHEL SKI MIRACLE — TONI SAILER AND THE POSTWAR BOOM

The end of World War II ushered in a new era of optimism and prosperity, and Kitzbühel was perfectly positioned to capitalize on the burgeoning interest in alpine tourism. The town became the epicenter of the "Austrian Ski Miracle," a period of intense development and international recognition. The embodiment of this miracle was a local prodigy: Toni Sailer. Born and raised in Kitzbühel, Sailer possessed a preternatural talent, a fluid and powerful style that seemed to defy the laws of physics. At the 1956 Winter Olympics in Cortina d'Ampezzo, a 20-year-old Sailer achieved the unthinkable, winning gold medals in all three alpine events: the downhill, the slalom, and the giant slalom. He returned to Kitzbühel not just as a champion, but as a national hero, his triple-gold triumph broadcast across the globe.

Sailer's success transformed Kitzbühel from a famous Austrian resort into a global brand. He became a film star and an international ambassador for skiing, and his home town was forever associated with his name. The "Blitz from Kitz" proved that this small Tyrolean town could produce champions of the highest caliber, cementing its reputation as a crucible of alpine talent. The legend of the Streif, combined with the charisma of its greatest champion, created an aura of excellence and danger that continues to draw skiers and spectators to this day.

5) THE MODERN ERA — FRANZ KLAMMER AND THE TELEVISED SPECTACLE

If Toni Sailer represented Kitzbühel's postwar elegance, Franz Klammer embodied its raw, untamed heart. While his most legendary performance was his wild, on-the-edge-of-disaster gold medal run at the 1976 Innsbruck Olympics, it was on the Streif that he truly cemented his legacy. Klammer won the Hahnenkamm downhill four times, including three consecutive victories from 1975 to 1977. His aggressive, all-or-nothing style was perfectly suited to the course's brutal demands, and his battles with the mountain became the stuff of legend.

The 1970s also marked the rise of television, which brought the drama of the Hahnenkamm into living rooms around the world. The Streif, with its spectacular crashes and heroic recoveries, was made for the screen. It became a defining event on the FIS World Cup circuit, a two-minute drama watched by millions. This era solidified the race's identity as the standard against which all other downhills are measured. The legacy of champions continued into the modern era, with Swiss skier Didier Cuche surpassing Klammer's record by winning the downhill an astonishing five times. Each victory, from Sailer to Klammer to Cuche, added another layer to the myth of the Streif, confirming the Streif's singular place in the history of competitive skiing.

6) THE SEIDLALM — BIRTHPLACE OF THE WORLD CUP

Kitzbühel's contribution to skiing extends beyond the Streif itself. In 1966, at the Seidlalm gasthaus—a traditional mountain inn located directly on the Hahnenkamm course—French journalist Serge Lang, French national team coach Honoré Bonnet, and American team director Bob Beattie conceived the FIS Alpine Ski World Cup. This circuit, which unified the disparate national and invitational races into a single, season-long competition with a points system, revolutionized the sport. It transformed alpine skiing from a series of isolated events into a global spectacle with year-round narrative and drama. The fact that this idea was born on the slopes of the Hahnenkamm, in the shadow of the Streif, is a fitting testament to Kitzbühel's central role in the history of competitive skiing.


Why This Poster Matters

This poster was designed to capture the soul of Kitzbühel, which is inextricably linked to the raw energy of the Streif. Unlike other posters in the Museum Collection that celebrate the serene grandeur of a resort or the fashionable leisure of its visitors, this work focuses on the brutal reality of downhill racing. The subject—a single racer descending the infamous Mausefalle—is a deliberate departure from idyllic alpine scenes. It is a tribute to the courage and sacrifice inherent in the sport, a nod to the connoisseur who understands that the heart of skiing is not always found in luxury hotels, but on the icy precipice of a 40-degree slope.

A Calibrated Artistic Synthesis

The visual language is a direct homage to the work of Tyrolean painter Alfons Walde, Kitzbühel's most famous artistic son. The deep cobalt blue of the sky, the luminous whites and violets of the snow, and the warm, earthy reds of the racer's attire are all hallmarks of his expressionist style. His paintings captured the unique light and atmosphere of the Tyrolean Alps, and this poster borrows heavily from that palette. However, Walde's romanticism is tempered here with the strong compositional structure of French Art Deco artists like Roger Broders and the geometric simplification of Austrian designer Paul Kirnig. The result is a poster that is 60% Walde, 25% Broders, and 15% Kirnig—a calibrated blend of painterly texture and graphic clarity, creating a work that feels both historically authentic and emotionally resonant.

The Racer's Poster

By focusing on the Mausefalle, the poster isolates the defining moment in ski racing. It depicts the instant of commitment, where the racer launches into an 80-meter abyss with no knowledge of what lies below. This choice makes it "the racer's poster" within the collection. While other works celebrate the destination, this one celebrates the deed. It is for the collector who has stood at the top of a steep run, felt the mix of fear and adrenaline, and understands the profound difference between a ski area and a race course. It acknowledges that Kitzbühel's fame was not built on luxury, but forged in the crucible of competition. When you hang this poster, you're not just filling wall space—you're placing a marker of knowledge, taste, and respect for the soul of ski racing.

Kitzbühel Hahnenkamm Streif Art Deco Ski Poster Print — LongSkisTruck Museum Collection
Kitzbühel — Hahnenkamm • Streif · Tirol · Österreich — LongSkisTruck™ Museum Collection

Frequently Asked Questions

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Is this an official poster?

No. This is an original LongSkisTruck design inspired by 1930s Art Deco travel posters. It is not copied from any existing work, but rather created using period-correct design language, historical research, and museum-grade reproduction standards.

What makes this a "museum-quality" print?

Our posters are printed using the giclée method on archival, acid-free matte paper. This ensures that the colors remain vibrant and the paper does not yellow over time. Each poster is printed individually on demand to guarantee a fresh print and reduce waste by avoiding overstock storage damage. The poster is sold unframed, allowing you to choose a frame that best suits your decor.

Why is the 24×36" size priced higher?

Larger prints require higher-resolution source files, increased materials, and stricter quality control. The 24×36" format is intended as the primary collector size and represents the poster at its most impactful scale.

How is the poster shipped?

Each poster is shipped in a rigid mailer to prevent bending or creasing. Production takes 3–5 business days, and standard shipping within the US also takes 3–5 business days. Expect to receive your poster within 6–10 business days of ordering. You will receive a tracking number once your order has shipped.

What is your return policy?

We do not accept discretionary returns or exchanges. However, if your poster arrives damaged or there is a fulfillment error, please contact us within 7 days of receipt with photos of the issue, and we will arrange a replacement or refund as appropriate.


References

External Sources (Citations)

  1. Wikipedia - Kitzbühel
  2. Wikipedia - Streif
  3. KitzSki - The first ski run down the Kitzbüheler Horn mountain
  4. Hahnenkamm.com - The 1st Hahnenkamm-Race
  5. Britannica - Kitzbühel
  6. Tyrol.com - 10 facts about the Hahnenkamm Race
  7. Olympics.com - Look to the past: Toni Sailer, Austria's brightest Alpine star
  8. German Life - Alfons Walde
  9. Wikipedia - FIS Alpine Ski World Cup
  10. Kästle - About Us (Company History & Timeline)
  11. UPI Archives - Franz Klammer (1980)

Internal Links (Site Navigation)

More related posters and archive notes are available below — click the ▸ bars to expand.

Related Posters (Museum Collection)
Archive & Media Notes

This poster's composition isolates the defining moment in ski racing—the Mausefalle launch—rendered in a visual language that fuses Alfons Walde's Tyrolean expressionism with the geometric clarity of 1930s Art Deco travel advertising. The design draws from the same Austrian and Central European poster tradition that shaped alpine tourism between the wars, capturing Kitzbühel's identity as a crucible of competition rather than a resort of leisure. The champions who defined the Streif—Toni Sailer on Kästle skis, Franz Klammer on Fischer—are woven into the history this poster commemorates.

For questions about this poster, the Museum Collection, or the LongSkisTruck archive, please contact MJ Eckley at mike@longskistruck.com.


Part of the LongSkisTruck Museum Collection

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© 2026 LongSkisTruck™

Research, writing, and curation by MJ Eckley.